Showing posts with label historical. Show all posts
Showing posts with label historical. Show all posts

Book Publishing Secrets with David Armstrong, Author of 'The Rising Place'

Name: David Armstrong

Title: The Rising Place

Genre: Historical Romance

Publisher: The Wild Rose Press

Find out more: The Rising Place by David Armstrong

Website: therisingplace.com

Thank you for your time in answering our questions about getting published. Is this your first book?

No, this is my debut novel, but The Rising Place is actually my second book. My third novel, The Third Gift, will be released this summer, and I’m currently working on a fourth novel. I have also written four screenplays. I had an aunt who wrote murder mysteries and who was successful at it. I used to brag about having an aunt who was a writer—that seemed so cool to me. And though the idea of following in her footsteps was intriguing, I never cared for her genre. I was a huge William Faulkner fan, though, growing up, and I still am. After I read his last novel, The Reivers, and Harper Lee’s, To Kill a Mockingbird, I was hooked on writing. I think most southern writers—if not all southern writers—have been influenced by both these great authors, to some degree. And then came John Kennedy Toole’s, A Confederacy of Dunces. After I read this wonderful novel, there was no turning back.


With this particular book, how did you publish – traditional, small press, Indie, etc. – and why did you choose this method?

I went with an independent fiction publisher based in New York. I initially tried going the traditional route with a major publisher but had absolutely no luck with this. Unless you’re already an established author, it’s virtually impossible to get one of the big publishers to give you a look. I believe I read somewhere that the odds of this happening are 1/1000, but I think it’s much greater than that. There’s just too much competition out there for a big publisher to consider a new writer—even a very talented, new writer.


Can you tell us a little about your publishing journey?  The pros and cons?

There are always pros and cons about anything or anybody. The writing cons are: writing is hard, demanding, and time consuming—especially if you’re working another full-time job, as I currently am. I can’t even imagine how difficult it must be for a working mother to find the time to write! Writing is a lonely pursuit, and it costs money to get your book noticed by readers. Some people pay to have their book published. That wasn’t my choice, but I did pay an excellent publicist to help me get The Rising Place noticed. Writing is a cathartic, artistic endeavor, but it’s also a business. And, as in any business, you have to spend money to make money. So, find and hire a good publicist to help you sell your book. Even if you’re fortunate enough to have a major publisher take you on and promote your book, you still have to be willing to do whatever it takes to help promote it. With over 2000 new books being released worldwide every day, it’s unrealistic to think you can write a book, have it published by whomever, and that it will sell like COVID19 masks. Not this day and time.

Now to the pros: Like I said above, writing is a cathartic, artistic endeavor which can be one of the most—if not the most—rewarding experiences you will ever have. It can also be financially rewarding. If you have the talent, dedication, and discipline to endure in your writing and querying of an agent or publisher, you will probably succeed. And even if you don’t, you will be so much better off for simply having tried—sort of like that old saying, “Shoot for the moon, and if you miss, you’ll still be among the stars.” Corny, perhaps, but true. One more pro: When I write, I am literally “in the flow”—meaning, I’m basically oblivious to everyone and everything around me, except my story and my characters. Sometimes, I can sit at my laptop for eight or nine hours and be totally unaware of how long I’ve been writing. And I’m somehow able to get inside my characters heads and feel, experience, what they’re doing and saying. For me, this is a major turn-on. Nothing has ever done this for/to me, like writing has. Well, there was this young woman once, who….


What lessons do you feel you learned about your particular publishing journey and about the publishing industry as a whole?

Unless you self-publish or pay a vanity press (I know, they really don’t like to be called that, anymore, but….) to publish your book, the publishing industry is a tough nut to crack. I compare it to trying to get into Harvard Law School or make it in Hollywood. Yes, it can be done, but it’s very hard to do so. That’s why dedication and discipline are so critical to a writer’s success. And you have to have tough skin—really tough skin. When I first started writing in the early 1980s (Yep, I’m an old dude.), there were no computers or emails. So, you hand-mailed query letters to potential agents and publishers. They usually wrote you back (there wasn’t as much competition, then, prior to the advent of self-publishing avenues, like Amazon), generally via a form, rejection letter. I received so many that I could tell if it was a rejection letter, just by examining the envelope. And you’ve heard this story before: I received so many rejection letters that they could have covered my bedroom walls. Funny, but also true. But this all was before the advent of a lot of small presses and independent publishers. I feel blessed to have found (or have been led to) an excellent and successful, Indie publisher, The Wild Rose Press.


Would you recommend this method of publishing to other authors?

Absolutely. Forget the big publisher route. Find a good, small publisher, or an Indie publisher with a successful track record, write a great query letter, and email it to them. It’s still challenging, to say the least, but this is the method I’d recommend. And don’t forget to find and hire a good, experienced publicist, like I did, once your manuscript is accepted. It’s never too early to find a good publicist. They’re in high demand and well worth the investment.


What’s the best advice you can give to aspiring authors?

Write something every day. It’s like playing the piano or practicing your golf swing (both of which, I’ve never done well)—you have to just do it and keep on doing it. Also, be patient and never give up. And like Joseph Campbell once wrote: “Follow your bliss.” If you do, you’ll never be disappointed.



About the book:

The Rising Place is an epistolary novel with an intriguing premise: What if you found a box of love letters written during World War II—would you read them? And what if you did read them and discovered an incredible story about unrequited love, betrayal, and murder that happened over seventy years ago in a small, southern town?

A young lawyer moves to Hamilton, Mississippi and meets Emily Hodge, a 75-year-old spinster, shunned by Hamilton society. The lawyer is intrigued by her, though, and can’t understand why “Miss Emily” lives such a solitary and seemingly forgotten life. But the letters Emily leaves for him reveal how her choices caused her to be ostracized, though definitely not forgotten.

Book Publishing Secrets with A.A. Freda, Author of 'A Police Action'

Name: AA Freda
Book Title: A Police Action
Genre: Coming of Age/Historical Fiction
Publisher: Dorrance
Thank you for your time in answering our questions about getting published.  Let’s begin by having you explain to us why you decided to become an author and pen this book?
AA­­––I just love writing and have several manuscripts done. Instead of letting them sit on the shelf gathering dust, I decided to publish my work and have the public take a look at my creations. 
Is this your first book?
AA––No this is my second. My first was Goodbye Rudy Kazoody. Another coming of age about teenagers growing up in New York City. It received excellent critical reviews and was a Readers Favorite award winner in Urban Fiction. It is sometimes compared to an earlier novel and movie called Sleepers.
With this particular book, how did you publish – traditional, small press, Indie, etc. – and why did you choose this method?
AA––I independently published. This is the quickest way to market. I want to share my works. I believe I write a good quality product and I want people to enjoy my stories.
Can you tell us a little about your publishing journey?  The pros and cons?
AA––There are many talented people in independent publishing. I have enjoyed working with them in developing my stories. Unfortunately, few of the independents have any kind of marketing background. The marketing has been the most frustrating.
What lessons do you feel you learned about your particular publishing journey and about the publishing industry as a whole?
AA––Ask to be paid what you believe your book is worth. Too many people are giving out freebies or $ .99 cent ebooks. I believe my stories are worth a whole lot more than a mere 99 cents.
Would you recommend this method of publishing to other authors?
AA––Yes, provided that you are willing to put in the time and effort into marketing. At the end of the day this is a business, treat the books as such.
What’s the best advice you can give to aspiring authors?
AA––Two pieces of advice. One-be persistent, don’t worry about rejection, keep pushing forward. Two-be honest in your writing. Make sure the readers get their money’s worth. 



Book Publishing Secrets with Author Jane Jordan

Title:  The Beekeeper’s Daughter
Genre: Thriller
Author: Jane Jordan
PublisherBlack Opal Books
Find out more on Amazon and B&N
Thank you for your time in answering our questions about getting published.  Let’s begin by having you explain to us why you decided to become an author and pen this book?
Jane: I started wring seriously in 2004 after I rented on old house on a remote part of Exmoor, in England, for a week. That old house changed my life, giving me a story idea that just had to be written.
Perhaps, it was the atmosphere, the ancient history or the beautiful scenery of Exmoor that enchanted me, or just maybe, I was inspired by the ghost that shared the house with me.
The house was haunted.  I felt that element even before I listened to the caretaker’s stories. My first book turned into a trilogy and combined vampire superstition with a complex and modern love story.
Exmoor was hugely inspiring. A historical dark romance felt like the next logical step. At that time, I had worked in a 1000-year-old castle on Exmoor, and learned about the history of the surrounding estate lands going back several hundred years.
On Exmoor there are many old houses and ancient villages, and many more legends and mythical tales associated with them.  The Beekeeper’s Daughter is primarily set in Victorian times, it is a darkly romantic thriller combining a strong element of witchcraft and the supernatural. 
Is this your first book?
Jane: No.  This is my fourth book.
With this particular book, how did you publish – traditional, small press, Indie, etc. – and why did you choose this method?
Jane: Black Opal Books is a boutique publisher—a smaller traditional publisher that does not release as many books as a big named publishing house.
I chose this method as I wanted to be taken seriously as an author, having previously self-published.
Can you tell us a little about your publishing journey?  The pros and cons?
Jane: That’s a very long story! 
My first novel was called Ravens Deep, and it was a dark romance story combining vampire superstition and a modern love story.  I wrote it in 2004, before anyone had heard of ‘Twilight’ or ‘True Blood’.  I spent the next two years polishing and editing the manuscript, and sending query letters to countless literary agents, in America and in England. 
In the spring of 2007, I received a letter from a top London agent asking me to go up to her London office to discuss my book with her. 
I thought that I was on my way to being a successful author, why else would I get the invite? 
The meeting started off well.  The agent told me she liked my story.  She thought it was creative and had great potential.  She told me there were a few grammar mistakes, but nothing a good editor could not fix.
But…. and this is where my dream fell apart.  The agent declared that ‘vampires are not in right now, and she couldn’t sell this to a publisher’.
I was a little taken back, and reasoned that was why Ravens Deep could be successful.  The marketplace was ready for this kind of story, it was unique, creative and the last successful vampire book had been Anne Rice’s ‘Interview with the Vampire’, ten or so years prior.  The agent was not convinced.  She said that was part of the problem, there was not anything to compare it to.
Had I known the outcome of this meeting, I would have pushed harder. But I figured she was the big agent, and I was an unknown author, so she must know what she was talking about.  She sent me away after asking me to do a few edits on the first chapter, then, a few days later she turned my book down.
So imagine my frustration when only a few months later ‘Twilight’ hit the headlines followed by ‘True Blood’.  Suddenly, vampire romance was everywhere.  I knew submitting to any more agents would be pointless, I would be just another one out of hundreds of authors now writing vampire romance novels.
I had already received a couple of contract offers from vanity publishers, and I did not want to go that route.  Self-publishing seemed my only option if I were ever going to see my book in print. Ravens Deep was first published in 2008, when I was living back in England for a few years.  Ravens Deep became the first book in a trilogy. 
I sent my book everywhere and to lots of libraries up and down the county. I had a call back from the Richard and Judy show, an English television book club.  They had a copy of my book Ravens Deep and was considering using it on their TV show, but their representative warned me that they were in ongoing talks about the future of the show.  Consequently, that show got moved to a different station, the format changed, and Ravens Deep did not feature.
Having some small success with marketing Ravens Deep myself, and knowing no agent or publisher would pick up book two and three in a trilogy, I went on to self-publish the next two books. (Blood & Ashes and A Memoir of Carl).
I befriended the owners of many local independent book stores and even a gothic type shop around Exmoor.  They all kept my book in stock and I sold many books that way.  I did a couple of book signings and was asked to be a guest speaker alongside well known authors, at the Porlock literary festival on Exmoor.  This went well for me. 
Then, recession hit England.  Nearly all the independent book stores closed, and I moved back to America and Florida in 2013.
In 2014 I finished writing The Beekeeper’s Daughter, and began to contact both literary agents and publishers in earnest.
I quickly received a publishing contract from a small press.  Although, my elation rapidly turned into regret, as this episode was a complete disaster.  The owner/editor, gave me dates and then nothing happened, when queried she gave me a myriad of excuses, everything from her computer breaking down, illness, even death in the family, and this went on for months. She also became abusive and aggressive.  At that point, my patience was gone, and I requested that all my rights be re-assigned to me, as I did not want them to publish my book.  This publisher refused to co-operate, until I got a publishing attorney involved.
I got my rights reassigned to me and learned a valuable lesson – do your research properly on any publisher. Had I done this, I would have read other author’s horror stories of dealing with this particular publisher.
In 2015, I started to query publishers again, and Black Opal Books gave me a publishing contract.  Unlike the previous publisher, Black Opal Books have been a great publisher to work with.   
What lessons do you feel you learned about your particular publishing journey and about the publishing industry as a whole?
Jane: I came so close to having my first book published and taken seriously only to be let down.  When it was published, the TV show could have propelled my book into the mainstream, but that wasn’t to be either.  It has been a very long journey to get to this point and so I suppose the real moral of my story is don’t ever give up.  If you believe in your work sooner or later, someone out there will love it too.
I would say don’t bother to query agents unless you are published.  Agents tell author’s they want something new, something creative, but what they really want is to pigeonhole your work, and compare you to someone else.
I saw something that a top London Agent couldn’t.  I saw the gap in the market, and she was too afraid to take a chance on me, because she could not compare me to anything on the market at that time.  
I like to believe that she regretted her decision, seeing how vampire romance stories became so marketable and lucrative.
Would you recommend this method of publishing to other authors?
Jane: Yes, a good boutique publisher is a sound option.
What’s the best advice you can give to aspiring authors?
Jane:  Write what interests you and not what is the current trend.
If you truly believe in your work, someone out there will too.  Keep writing, hone your craft, and don’t give up.

Most authors, even famous ones say they have received enough rejection letters to make a book, so don’t take rejection to heart, it’s just part of the journey.