Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Book Publishing Secrets with Sam Newsome , author of 'Joe Peas'

Book Title: Joe Peas
Genre: Fiction
Publisher: Lulu Publishing
Thank you for your time in answering our questions about getting published.  Let’s begin by having you explain to us why you decided to become an author and pen this book?
Sam:  First and foremost, I’m a family doctor.  The writing thing came in recent years my practice and I have matured.  As a physician, I meet a lot of people.  People who have led interesting lives and have wonderful stories.  Their lives are my first inspiration.  I frequently tell stories to my patients as a tool for motivation.  They, in turn, will share part of their life stories that are sometimes fantastic narratives.  While I would never unbidden betray a patient confidence, I certainly get ideas and motivation for fictional fare.
Is this your first book?
Sam:  My first book, Jackie, was published in the fall of 2013.  It chronicles the life and adventures of a young man who was abused, bullied and judged uneducable in the third grade.  He was assigned to homebound education that didn’t work for him.  But Jackie develops a very special, almost supernatural talent that when discovered, leads him to an historic destiny.    
With this particular book, how did you publish – traditional, small press, Indie, etc. – and why did you choose this method?
Sam:  My current book, Joe Peas, is self-published by Lulu Publishing Service.  I used them for my only other book, so I have no means of comparison.  They explained the costs ahead of time produced a product I can be happy with.   
Can you tell us a little about your publishing journey?  The pros and cons?
Sam:  I spend my days recording clinical notes into an electronic medical record.  These are required by law, but likely will rarely be read.  No interpretation is used in these notes.   As Joe Friday of Dragnet asks. “Just the facts ma’am, just the facts.”  Writing is different. The ability to shape a narrative and influence the outcome for a character is powerful.  The struggle is having the work acknowledged and read.  Marketing is every bit as challenging as writing.  

What lessons do you feel you learned about your particular publishing journey and about the publishing industry as a whole?
Sam:  The publishing industry is changing so quickly that it is full of chaos.  My impression is that the traditional paths to publication are largely closed.  I suppose that beginning my quest for publication at a rather advanced age makes me more impatient.  I’ve finished a project and I want acclaim.  I want a band to play and fireworks to celebrate my accomplishment.  Instead I have a stack of over one hundred rejection slips from agents and publishers who have yet to request a sample or a synopsis before judging it “Not for us”.  I understand the frustration beginning writers feel and the little nagging feeling that even the crappiest novel on the bottom shelf of the major stores is a better read than mine because they found a publisher.  
But then…  But then remember that writing is an art as well as an occupation.  We create our projects like any other artist, to evoke emotion and desire along with a little knowledge and understanding of our world sprinkled in.  When someone tells me they enjoyed my book or were emotionally moved, I don’t ask if they paid a retail price or borrowed a friend’s.  I still consider that a win.  My self-published book has the same text it would have if it had been traditionally created.  
Would you recommend this method of publishing to other authors?
Sam:  Everyone must weigh the options and make that judgment on their own.  I made what I considered to be a credible effort and failed to get either an agent or a publisher.  I could have rewritten yet again and resubmitted, but that seemed pointless since professionally written query letters failed to get a nibble.  Since I may be more aware of father time than some of my colleagues, I went the self-published route.  Would I do it again?  I think I received a polished product with my first novel, Jackie, and my new effort, Joe Peas, is every bit as good.
Regarding income from the effort, I’m probably not the one to ask.  My only respite is that when my wife complains about the money I spend on my book I can compare it to what I might otherwise be spending on golf.  

What’s the best advice you can give to aspiring authors?
Sam:  I may not the best person to ask.  I’m still more into taking advice than giving it.  I would say to continually assess why you write, and who is your audience.
That decision will not only affect what you write, but also how and to whom you present it.  If your story is time-sensitive and you don’t have an on-going relationship with an agent, self-publishing may be the best bet.
If the story is not time-sensitive and you have youth, time and energy enough to solicit an agent through conferences and other venues, seeking an agent and/or publisher could work.
And remember, advice is like a convenience store carton of milk.  It has a very short expiration date.  





Book Publishing Secrets with Brian W. Matthews, author of 'The Conveyance'

Book Title: The Conveyance
Genre: Horror, Science Fiction, Thriller
Publisher: JournalStone
Thank you for your time in answering our questions about getting published.  Let’s begin by having you explain to us why you decided to become an author and pen this book?
Brian: I’ve always enjoyed reading and writing. I took a creative writing class in college, did quite well, and found it fun. I dabbled with writing for years but didn’t start writing stories on a regular basis until 2010, when a friend asked me to contribute a story to a cyberpunk anthology. I enjoyed the experience so much I decided to try writing novels.
Is this your first book?
Brian: Conveyance is my third. My other two novels are Forever Man and Revelation, which are part of a series. Conveyance is a story separate from them.
With this particular book, how did you publish – traditional, small press, Indie, etc. – and why did you choose this method?
Brian: Conveyance was published through JournalStone, a press specializing in horror, science fiction, and fantasy. I’ve been under contract with them from the start, when they bought Forever Man and liked it enough to offer me a three book deal.
Can you tell us a little about your publishing journey?  The pros and cons?
Brian: My journey in publishing differed from what I’ve heard others went through. After I finished Forever Man, I knew I wanted to release it through a publisher and sent a sample out to two. JournalStone wrote back asking for the full manuscript. Soon afterward, I was offered a contract. My understanding is this doesn’t happen often (getting a publisher on your first try), so I consider myself fortunate. Had I not found a publisher, I was prepared to self-publish.
I strongly recommend you try and find a publisher for your book. You receive the benefit of professional editing. The publisher is responsible for creating the cover, perhaps with your input, perhaps not. They will also print the book or format it for e-readers. These are parts of the process a writer has to do if he or she self-publishes.
Whether you self-publish or go with a publisher, be prepared to be your own marketer. No one is going to do this for you. You have to be active on social media, be willing to do blog tours, and arrange your own book readings/signings at book stores. It’s a difficult part of the publishing process, but it’s one you have to accept if you’re going to be an author.
What lessons do you feel you learned about your particular publishing journey and about the publishing industry as a whole?
Brian: Publishing is the business of selling books, which is often counter to the business of writing books. Publishers naturally look out for themselves, and writers should do likewise. Do not be afraid to cross out parts of a contract, especially the clauses giving away film and foreign language rights. Don’t be afraid to argue for your benefit—and be prepared to walk away if you don’t get what you are reasonably asking.
Would you recommend this method of publishing to other authors?
Brian: Absolutely. Swing for the fences. Query as many publishers as you can. Do not give up. If you don’t snag a publishing contract, either self-publish it or take a critical look at your book and decide, if you couldn’t secure a publisher for it, should it even be published? The latter is a tough call, since a writer puts a good year or more into a book, and shelving it can be painful.
What’s the best advice you can give to aspiring authors?

Brian: Don’t be afraid to say no. No to a bad publishing contract. No to the people who say you can’t succeed. No to the devil on your shoulder that whispers doubts and fears in your ear each time you sit down to write. Writing is a difficult and lonely journey. Don’t let others make it worse by being negative.

Book Publishing Secrets with Clea Simon, Author of 'When Bunnies Go Bad'

Name: Clea Simon
Book Title: When Bunnies Go Bad
Genre: cozy mystery
Publisher: Poisoned Pen Press
Thank you for your time in answering our questions about getting published.  Let’s begin by having you explain to us why you decided to become an author and pen this book?
Author: I’ve always been a writer and storyteller, and I’ve been writing mysteries for more than 10 years now.
Is this your first book?
Author: “When Bunnies Go Bad” is the sixth in my Pru Marlowe pet noir cat cozy mystery series.
With this particular book, how did you publish – traditional, small press, Indie, etc. – and why did you choose this method?
Author: I prefer to be traditionally published, and Poisoned Pen Press is a highly respected mystery-only publisher.
Can you tell us a little about your publishing journey?  The pros and cons?
Author: I started as a journalist, so I knew something about writing and rewriting and revising and rewriting and… best advice I can give  is keep at it. And listen when you get criticism. Your first draft is just that. Everybody needs to revise (and revise and revise).
Would you recommend this method of publishing to other authors?
Author: Yes. It is harder, but you will produce a better book.
What’s the best advice you can give to aspiring authors?
Author: Keep at it and listen to your critics. Revise and rewrite – it will make your book stronger and more fun for the reader.



Book Publishing Secrets with Children's Author Donna McDine

Book Title: Dee and Deb Off They Go Kindergarten First Day Jitters
Genre: children’s
Publisher: Guardian Angel Publishing, Inc.
Thank you for your time in answering our questions about getting published.  Let’s begin by having you explain to us why you decided to become an author and pen this book?
Donna: As long as I can remember I have always enjoyed immersing myself in books and I hope to invoke the same feelings into my readers.
Is this your first book?
Donna: No, this is my fifth children’s book.
With this particular book, how did you publish – traditional, small press, Indie, etc. – and why did you choose this method?
Donna: I went the small press route with Guardian Angel Publishing, Inc. I went with Guardian Angel Publishing because I immediately was drawn to the family feel and care Lynda Burch takes with her authors and illustrators.
Can you tell us a little about your publishing journey?  The pros and cons?
Donna: Patience intertwined with determination of learning the writing craft and not rushing the process is essential. The road to publication is a long one. Depending on the speed of your publisher, from the time of submission, to hopefully editing process then publication in my experience it can take anywhere from one to three years for your book to see the light of day, especially if illustrations are involved.
What lessons do you feel you learned about your particular publishing journey and about the publishing industry as a whole?
Donna: Everyone’s experience on publishing rollercoaster is unique. Don’t be so worried about comparing yourself to others. Success comes in all shapes. Write what you love. Study publisher submission guidelines and follow them to the letter. This is not time to think outside the box. Publisher submission guidelines are in place for a reason. Adhere to them.
Would you recommend this method of publishing to other Donnas?
Donna: It honestly depends what your wants and needs are. As for me, the experience with a small publisher has been a positive one.
What’s the best advice you can give to aspiring Donnas?
Donna: Seek out writer critique groups, attend workshops and join the Society of Children’s Book Writers and Illustrators. The wealth of information and assistance is outstanding!
Thank you for interviewing me. I enjoyed visiting with you and your readers.


Title: Dee and Deb Off They Go Kindergarten First Day Jitters
Genre: children’s
Author: Donna McDine
Publisher: Guardian Angel Publishing, Inc.
About the Book: The anxiety of finding one’s own place and friends in kindergarten without the comfort of having her fraternal twin sister nearby at first overwhelms Dee until she realizes even without her fraternal twin sister, Dee and her classmates for the most part are in the same boat.

Book Publishing Secrets with Donald Joiner, Author of 'The Antioch Testament'

Genre: Historical Fiction/Christian
Publisher: Seraphina Press
Thank you for your time in answering our questions about getting published, Donald  Let’s begin by having you explain to us why you decided to become an author and pen this book?
Donald: I had always been intrigued by the remarkable transformation of Jesus’ apostles after his resurrection. Earlier they had been a motley collection of fishermen, laborers and revolutionaries seeking the restoration of David’s Jewish kingdom. The gospels tell us a lot about them before the resurrection, but very little afterward.
What happened to them? Where did they go? What did they accomplish? How did they die? The gospels are silent. The Antioch Testament is a historical novel that attempts to complete the story based on early church traditions. I thought it was a story well worth the telling.
Is this your first book?
Donald: No, but it is my first novel.
With this particular book, how did you publish – traditional, small press, Indie, etc. – and why did you choose this method?
Donald: Indie. I wasted considerable time seeking agent representation. Found that authors’ agents were literally swamped with manuscripts so I elected to investigate and identify the very best self-publishing companies. As a result, I selected Hillcrest Media which owns Seraphina Press based on the quality of their work and their unique distribution system which closely  approximates the distribution system of traditional publishers.
Can you tell us a little about your publishing journey?  The pros and cons?
Donald: My first published book was entitled Antebellum Churches in Georgia. This was a pictorial history of churches in Georgia constructed before the end of the Civil War. At the time color photography in books was prohibitively expensive so I elected to publish in black & white through Lulu Publishing. Later, when color photography sharply declined in price, I expanded my collection of churches and selected VirtualBookWorm Publishing to publish a color pictorial history entitled Faith of Our Fathers. I did not solicit representation for either of these books.
What lessons do you feel you learned about your particular publishing journey and about the publishing industry as a whole?
Donald: When I began work on this historical novel, I had no idea how difficult the task of being accepted by a reputable author’s agent would be. I must have approached a dozen recommended agents, but none were in a position to help me. Those who responded to my query cited a backlog of manuscripts awaiting their attention or they were not at the moment accepting religious historical fiction. Being a senior citizen, I knew I had a limited time frame to work in so I eventually elected to go with the best self-publisher I could identify. It has been a costly enterprise, but thus far I have been pleased with this choice.
Would you recommend this method of publishing to other authors?
Donald: Yes, if the author has adequate financial resources. There are many self-publishing companies out there, but an author must be careful because some are not as reputable as are others. My advice is to do diligent research on self-publishers, looking closely at each service they offer. If possible, try to communicate with a fellow author who has used this particular publisher and get his/her take on the company. If the author is aware that going this route means by and large he must manage his own marketing effort, self-publishing may be an answer.
What’s the best advice you can give to aspiring authors?
Donald: Persistence counts! Don’t be intimidated if you do not meet immediate success in approaching agents or publishers. Keep at it. By all means don’t rely solely on your work being edited by your wife, girlfriend or mother. Your work might look wonderful to you and to them, but you should always have it professionally edited before you submit it to prospective agents or publishers.



Book Publishing Secrets with Jane Tesh, author of 'Butterfly Waltz'

Name: JaneTesh        
Book Title: Butterfly Waltz
Genre: Fantasy
Publisher: Silver Leaf Books
Thank you for your time in answering our questions about getting published.  Let’s begin by having you explain to us why you decided to become an author and pen this book?
Jane:  I can’t remember a time when I wasn’t writing my own stories, poems, and plays, so I must have been born an author.
Is this your first book?
Jane:  No.  I’ve written many books, probably twenty-five, and I’ve been lucky to have ten of those books published.  This is, however, the first fantasy novel that’s been published.
With this particular book, how did you publish – traditional, small press, Indie, etc. – and why did you choose this method?
Jane: All of my books have been traditionally published.  There are two reasons I chose this method.  First, when I started trying to get published, traditional was the only way available, and second, I could not afford to self-publish.  Back in the Sixties, self-publishing was very expensive and the product did not look as good as it does today.
Can you tell us a little about your publishing journey?  The pros and cons?
Jane:  In 1968, when I was 18, I started sending out manuscripts and queries. This involved typing a manuscript, finding the right size box, and mailing it to a publisher or an agent in New York. When it came back, I sent it to the next one on my list.  I did this until computers came along.  Then I emailed my queries.  At one point, I did manage to get an agent, but she and I disagreed on the direction my book was taking, so we parted (on good terms!) and I continued to send out manuscripts and queries.
Pros: I got what I wanted, a good traditional publisher.  But it took a very long time.  I got the contract for my first book in 2005.
Cons: It took a very long time!
What lessons do you feel you learned about your particular publishing journey and about the publishing industry as a whole?
Jane: As I mentioned above, I had an agent for a while.  She wanted me to change my main character in the Grace Street series from a man to a woman.  This would’ve radically changed the entire universe I had set up for all the characters in the series.  I was really upset because I had tried for so long to get an agent, she was telling me what I needed to do to get published, and I couldn’t do it. Everything worked out in the end.  I found a publisher who took the characters as they were.  But I had to say to myself: how much am I willing to compromise to make my dream come true?  As it turned out, I wasn’t willing to make such a drastic change.
Would you recommend this method of publishing to other authors?
Jane: Publishing has changed so much since 1968.  Today, new authors have so many more choices and can choose which method suits them and their pocketbook.  If you have the money and want to control all aspects of the process, then self-publishing is for you.  If you want someone to pay you for your work and to take care of distribution, reviews, and publicity, then traditional is the way to go.  I would recommend traditional.
What’s the best advice you can give to aspiring authors?
Jane:  My favorite author, Terry Pratchett says, “The first draft is just you telling yourself the story.”  Relax and have fun with that first draft and don’t worry about it being perfect.  Everything can be fixed.
And one more thing.  I started trying to get a book published when I was 18.  I didn’t get a book published until I was 55.  I never gave up.  Neither should you.



Book Publishing Secrets with Marija Bulatovic, author of Fantastical: Tales of Bears, Beer and Hemophilia

Born in Yugoslavia in the 1970s, Marija Bulatovic, along with her parents, immigrated to the U.S. in the 1990s just ahead of the 1990s Yugoslav wars and the breakup of the country.  An accomplished business professional with years of experience driving enterprise business with Fortune 500 companies, Bulatovic graduated from Colgate University. Marija Bulatovic lives in Seattle with her husband and son.


Thank you for your time in answering our questions about getting published.  Let’s begin by having you explain to us why you decided to become an author and pen this book?
Marija: While I didn’t set out to pursue career as an author, I was moved to do so after the birth of my son.  FANTASTICAL is a legacy to my son, as his birth was the catalyst for the book. 

These stories were born with my son.  Uncertain upon entering a wholly new phase of life, I sought wisdom and enlightenment – and a break from the daily routine of feedings, lack of sleep, and disorientation.  I was in search of something that would lift my spirit, make me laugh, and transport me, if only for a moment, to another, less tangible, place and time. 

While the world in which these stories unfold no longer exists, I still cling to the many lessons it taught me.  Because of my fantastical childhood, I know in my heart that life is much more than a sum of mundane survival activities.  I know that it’s fluid, magical, brimming with love and connection. 

This book was indeed the respite I needed.  It freed my mind to roam the wild landscape of a bygone era and lifted me on the wings of Balkan stardust.  I hope it will do the same for my readers.  My hope is that stories amuse and transport my readers, sustaining them on their journey as they have me on mine. 

Is this your first book?
Marija: Yes, it is.
With this particular book, how did you publish – traditional, small press, Indie, etc. – and why did you choose this method?
Marija: I chose to self-publish.  FANTASTICAL is a work of passion and a very personal and dear project to me.  As such, I was interested to personally and deeply become involved in all aspects of publishing, from identifying the right experts to edit, illustrate, layout, and print the book to working with a tremendously talented publicist to bring it to light. 
At the same time, we are experiencing an explosion in tools and services suited for first time and self-publishing authors. 
I was curious about this process and it gave me an excellent opportunity to be personally engaged throughout the journey and understands all aspects of publishing. It’s been a great learning experience!
Can you tell us a little about your publishing journey?  The pros and cons?
Marija: Self-publishing is tremendously labor and time intensive, but also very rewarding and profitable, assuming one is able to make investments to get the book to the finish line.
The pros are that you, as an author are 100% in control of your book and the every aspect of it.  You are the final decision maker and owner of the outcomes-good and bad. It’s a wonderful opportunity to merge one’s creative talents with flawless execution.  It does require much self-discipline and hard work, but it’s also a rewarding process.  While the world of self-publishing tools and services can feel like a maze, once the author understands them, they are generally easy and efficient to you.
The cons are that you have to invest money, time and energy to personally research and identify everything that shapes the book: editors, publicists, designers, printers, distributors, etc.  This is no easy task and authors can feel discouraged by it and by the long road ahead.  The self-publish path also requires that you make personal investments or raise money to fund your book project-which done right, is not an inexpensive proposition. 
What lessons do you feel you learned about your particular publishing journey and about the publishing industry as a whole?
Marija: The publishing industry overall is at an inflection point, destabilized by the explosion of self-published books and outlets offering self-publishing services.  Self-publishing houses such as CreateSpace, Lightning Source or Bookbaby offer quality services at an approachable price-point.  However, the learning curve is steep for a single author to learn, discern differences in offerings and advantages among these services, along with their complementary or duplicative nature.
Would you recommend this method of publishing to other authors?
Marija: Yes, most definitely.  If you feel ready and passionate about your book, you will enjoy the leanrings and the process that goes with self-publishing.
What’s the best advice you can give to aspiring authors?
Marija: Just do it! Write your book, engage deeply with your project, commit to your work of passion and see what happens.  Most likely, more good things will happen than if you don’t embark on the journey.  And most importantly, Good Luck!