Showing posts with label magical realism. Show all posts
Showing posts with label magical realism. Show all posts

Book Publishing Secrets with Linda Lucretia Shuler, Author of 'Hidden Shadows'

Name: Linda Lucretia Shuler
Book Title: Hidden Shadows
Genre: Literary
Publisher: Twilight Times
Thank you for your time in answering our questions about getting published.  Let’s begin by having you explain to us why you decided to become an author and pen this book?
Linda:
I knew I wanted to be an author when I was around six or seven years old. I wrote my first story then, Koko the Monkey, which I still have tucked in a drawer somewhere. I never asked myself why I wanted to write. It was, and is, simply a natural part of me, something that’s always been there.
The idea for Hidden Shadows crept upon me slowly, seductive in its call. I took round-about trips in my imagination as well as in fact, exploring ideas and locales, before I found the path that the story wanted to follow.
I felt the need to explore grief, and how it can cleanse and renew or shatter and destroy. I wanted to illuminate the process of healing, of connection: to the land, to our ancestors, to others, to ourselves – and to the redemptive power of love.
And so Hidden Shadows was born.
Is this your first book?
Linda:
Yes, my first novel. A prequel is rattling around in my thoughts, demanding to be heard.
With this particular book, how did you publish – traditional, small press, Indie, etc. – and why did you choose this method?
Linda:
A close friend whose novels I admire recommended her publisher, Twilight Times, a small press well respected in the publishing industry. My friend’s experience was so favorable, I decided to give it a try. So here I am!
Can you tell us a little about your publishing journey?  The pros and cons?
Linda:
My journey isn’t done. I’m still traveling,  road map in hand. However, from what I’ve experienced up to this juncture, there’s much to commend, and much to complain, about such a trip:
Pro: The satisfaction of seeing the story and characters born in my imagination come to life in print. The sense that readers are touched by this invented world, that it lingers in their thoughts, becomes a part of them. The ego-boosting “Yea!” when reading a favorable critique. The feeling that I’ve accomplished something good, and perhaps made a difference in someone’s life – if only for a moment.
Con: It takes work. A lot of it. Patience. Fortitude. Non-creative, non-fun necessary stuff. I’m like a kid wanting to kick her heels and howl in a temper tantrum because she can’t have her dessert now, immediately! So much work, in fact, that my mind hasn’t shifted gears enough to focus on the next novel. It can be frustrating.
What lessons do you feel you learned about your particular publishing journey and about the publishing industry as a whole?
Linda:
The publishing world has changed drastically over the last few years, and continues to morph. It would be easy to feel lost among the throngs of writers, of the multitudes of books released. Oh, to be listed among the top ten! That’s the dream of us all, isn’t it? It would be easy for me as a writer to feel “in the dumps” because I’m in a crowd, rather than among a select few. Or because my novel isn’t trumpeted in colorful ads plastered across the pages of glossy magazines, or blessed by Opera, or featured in the New York Times. But satisfaction must lie in the present moment, and what we hold in our hands.  
Would you recommend this method of publishing to other authors?
Linda:
As the saying goes, “Different strokes for different folks.” What works for one author may not work for another. I hesitate to recommend a specific path toward publishing: the journey depends upon the traveler. Do what feels right for you, and for the market you want to attract.    
What’s the best advice you can give to aspiring authors?
Linda:
Believe in yourself. Don’t give up – not ever, no matter how long it takes, no matter how many boulders are strewn along the way, no matter how young or old you are. Enjoy the journey. Enjoy every moment of your life; if not, dissatisfaction or disappointment seeps into the pages of your work.



Book Publishing Secrets with Joan Schweighardt, author of 'The Accidental Art Thief'

Name: Joan Schweighardt
Book Title: The Accidental Art Thief
Genre: Fiction, with a touch of magical realism
Publisher: Twilight Times Books
Find The Accidental Thief on Amazon.
Thank you for your time in answering our questions about getting published.  Let’s begin by having you explain to us why you decided to become an author and pen this book?
Joan:  The Accidental Art Thief is actually my fifth novel, so I caught the writing bug quite some time ago. Regarding this book though, years back I misspelled my friend’s email address and my email went to a stranger and we became good friends. I always knew that bit of serendipity was something I would fictionalize one day. It doesn’t have everything to do with the plot of the book, but it is the event at its core.
Is this your first book?
Joan:  My other novels are Island, Homebodies and Virtual Silence, all published by The Permanent Press, and Gudrun’s Tapestry, a historical novel published by Beagle Bay Books. And, I have just finished a new novel, which I hope to have with an agent very soon.
With this particular book, how did you publish – traditional, small press, Indie, etc. – and why did you choose this method?
Joan:  We would all be lying if we said that we went with small presses because we preferred small presses with small budgets to top presses with big budgets and connections to TV and other media. But that is not to say the quality of a book is determined by the size of the press. Big presses have their own agenda for choosing books. I know something about this because I was a publisher for a while and I have also done some agenting for various writers. Big presses for the most part want to see numbers. A writer who did super well with sales of a previous book can walk into a big
house and call the shots, no matter how bad the second book is. That’s what book doctors are for. On the other hand, if you’ve had a string of books published and none of them broke out, your doomed, unless you’re willing to change your name and turn your back on your “baggage.” All that said, Twilight Times is a good small press. I’m pleased with how many edits they’re willing to provide and how far they’re willing to go to ensure their writers are happy with their covers, etc.

Can you tell us a little about your publishing journey?  The pros and cons?
Joan:  Collectively, my five books have been published by three publishers that range from small to medium. All my publishing experiences have been good.
What lessons do you feel you learned about your particular publishing journey and about the publishing industry as a whole?
Joan:  My first novel was published in the mid 90s. Back then if the book didn’t come out in hardcover, there was no way Publishers Weekly or the other trades would consider a review. And if you didn’t get reviewed in the trades, there was no way chains like Barnes and Noble would order your book from your publisher’s distributor. And if you didn’t get into BN…. You get the picture. The top publishers and the top chains and the top trades ran the show. If you couldn’t play by their rules, you didn’t play. Today we have democracy in the book world. Anyone can get published because if you can’t find a publisher or you want more control, you can affordably self publish. You can get books on demand, as you need them. (In the old days it was too expensive to do a print run of less than 3000 books, which could cost as much as $25,000.) And of course now we have e books. The industry is totally changed. The problem now is that there are so many writers out there competing for a piece of the pie, and the pie is shrinking all the time. There’s no good reason to get into this fray unless you are totally addicted to writing.
Would you recommend this method of publishing to other authors?
Joan:  I would recommend that all people who love to write write. It’s good for the head and for the soul too. You might be one of the lucky ones to go to the head of the class.
What’s the best advice you can give to aspiring authors?
Joan: Marketing is everything. If you don’t have mega bucks to pay a PR team, learn as much as you can about how to do your own PR. And start your marketing campaign before the book comes out, not after. Books have the shelf life of a house fly.