Showing posts with label YA fantasy. Show all posts
Showing posts with label YA fantasy. Show all posts
Genre: Young Adult Fiction
Publisher: Amazon Kindle Direct Publishing
Thank you for your time in answering our questions about getting published.  Let’s begin by having you explain to us why you decided to become an author and pen this book?
Leif and Jason: We have both written throughout our lives. Poetry, short stories, tales, etc., have always been part of the fabric of our family. To be quite frank, we can't imagine a day that would be possible without writing. Like breathing, eating, brushing your teeth, writing is good hygiene for the creative soul. We decided in particular to write this book as we saw a paucity in the genre for well-written literature that is reminiscent of Gulliver's Travels, The Jungle Book, etc. We also have a strong passion for satire (think Swift) and world culture and lore. All this comes together in this first novel of a four-part series.
Is this your first book?
Leif and Jason: Yes, this is our first book, and we want to continue the series and continue writing together! This is the first book in a tetralogy.

With this particular book, how did you publish – traditional, small press, Indie, etc. – and why did you choose this method?
Leif and Jason: We went with Amazon Kindle Direct Publishing to get our book out to the world. We hope for traditional publishing and feel that this book shows our capabilities as writers. Our goal is to have the entire series published traditionally. 
Can you tell us a little about your publishing journey?  The pros and cons?
Leif and Jason: Like any publishing endeavor, it can be broken down into three steps: 1.) the releasing of the material; 2.) the publicity of the product; and 3.) the tenacity to continue forward no matter what the obstacle.

I feel that the publishing process is rife with pros and cons. One pro is releasing your manuscript to the world. This is a birthing process, a subtle catharsis of letting this creative child out of your safe and warm domicile and into a world that at times can be cold and indifferent. The con for this pro is articulated in the last sentence. Your creative work is your gift, your internal process worked out with your muse; then carefully, slowly, edited, and refined along the way. When the process is complete, your wings unfold, and your gestation is revealed in the published form. To have this child go into an indifferent world can be maddening at times. We cannot escape the fact that new children are born to this world (new ways of thinking in the creative arts) and then not supported. Thelonious Monk felt this and became quite reclusive. We scratch our heads now and ask how is it that people did not see the beauty he created!

What lessons do you feel you learned about your particular publishing journey and about the publishing industry as a whole?
Leif and Jason: It is hard not to be somewhat skeptical of an industry that has produced so many overly commercial products over the last twenty years and has a demand for fixed formulas. Publishing is such a sacred craft, bringing forth fresh, new and dynamic ways of seeing the world via book form. For instance when you think about what it was in classic literature that first captivated you, you may answer, 'It had me thinking in ways I had not thought before. It was subtly troubling, and with this troubling, a new process of thought enfolded and enabled me to think in a relevant and clear way about the theme presented.'
Would you recommend this method of publishing to other authors?
Leif and Jason: I believe it is a good start. I also feel that self-publishing and indie publishing apply some pressure to more the traditional publishing industry. It is roughly akin to the survey they did in the 1990's when they found out a huge portion of the American population used alternative medicine in their approach to wellness. Look at the implications of that survey and subsequent studies! Now they offer acupuncture, yoga, qigong, meditation, and indigenous herbology in several medical schools. The pressure from the populace created that change. I am in hopes that the publishing I have listed above will change the traditional publishing to go back to its roots in being pliant and open to new ways of thinking and styles of writing.
What’s the best advice you can give to aspiring authors?
Leif and Jason: We impart this advice to aspiring authors: Take your art seriously; refine your abilities, hone your skills and develop a habit of writing on a quotidian basis; not necessarily a piece of art that inspires the pneuma and rattles the firmament but something that is at least adequate or decent. Practicing your craft plays a crucial role in maintaining the well-being and the liveliness of your mental character as well as improving your writing abilities. Let the sensitive fabric of your psyche become pachydermatous and persevere through all the vicissitudes that adversity can muster.  


ABOUT THE BOOK
The Hidden Chalice of the Cloud People is a young adult fantasy comedy novel written by a father and son writing duo for an intelligent general audience. It is the first book in an upcoming tetralogy. It is a darkly humorous, fast-paced, action-packed celebratory unification of the world’s rich cultural lore through the lens of an inventive fantasy concept that stands both as an occasionally subversive satire that satirizes the YA genre and an anachronistic experiment on the fusion of storyline narratives (differing stylistically and compositionally).
When Tommy Dana is abducted into a fantastical realm called Lethia, where the worthy stories of humanity are granted a physical reality, the social media-averse thirteen year old must plunge through a multi-varied meta-fictional adventure in order to save his, and the entire human world’s, imagination from falling into the thieving clutches of the witty supernatural villain Facinorous.

Book Publishing Secrets with Christopher G. Nuttall, author of 'Trial By Fire'

Book Title: Trial By Fire
Genre: Fantasy
Publisher: Twilight Times Books
Thank you for your time in answering our questions about getting published.  Let’s begin by having you explain to us why you decided to become an author and pen this book?
Author: Well, that’s two separate issues.  The blunt truth is that I saw a book I thought was a great idea, but really poorly executed, back in 2005, so I started to write a version of my own.  My version wasn’t much better, but at least it was a start.  Six years later, or thereabouts, I started to put together an outline for what would become the Schooled In Magic series.
Is this your first book?
Author: No.  Trial By Fire is somewhere around my fiftieth published book, counting both indie and traditional published books.  It’s also book seven in the Schooled In Magic series.
With this particular book, how did you publish – traditional, small press, Indie, etc. – and why did you choose this method?
Author: Trial By Fire is published by Twilight Times Books, a small America-based press.  Like most writers, I wanted to be published by a traditional publisher, so I submitted the first book in the series and everything just went on from there. 
Can you tell us a little about your publishing journey?  The pros and cons?
Author: To be frank, being published by a traditional publisher lends a certain degree of validation to the author.  Someone has actually paid money to have this book edited, ergo they must think they can claw back the money, ergo they think the book’s good.  (The author is seen as an investment.)  The publisher also takes care of editing, obtaining a cover design and everything else the book might need, which frees up more of the author’s time for writing. 
The cons, however, is that you give up a great deal of control.  I haven’t had any problems with TTB, but I’ve heard hundreds of horror stories from other authors who tangled with the wrong publisher.  Do some research before choosing a publisher.  There’s also a delay between submission and publication that can be annoying, although getting the book edited is well worth the time.
What lessons do you feel you learned about your particular publishing journey and about the publishing industry as a whole?
Author: Do my research <grin>.  I think that’s really the most important lesson of all. 
But the publishing industry itself is changing.  The rise of eBooks put power in the hands of the authors, rather than publishers, and while the bigger publishing houses have done their level best to argue otherwise, I think its inarguable that big publishing will have to adapt quickly or go the way of the dinosaurs.  Small presses - and Baen Books - tend to be far better at adapting to the changing scene. 
Would you recommend this method of publishing to other authors?
Author: It depends, really, on what they want from publishing.  Having assistance from a small publisher is worth its weight in gold, so I’d recommend it to anyone who intends to write for the long haul.
What’s the best advice you can give to aspiring authors?
Author: I think the best advice would be to get some critics - and then listen to them.
Yes, I know; it isn’t easy to put up with someone being critical about our work.  We pour our heart and souls into the manuscript and it hurts - it really hurts - to watch someone tear it apart.  But a decent critic and a good editor are really worth their weight in gold.  They can make the difference between getting good reviews - and a good start in writing - or being crushed under a wave of negative reviews.
Frankly, there are quite a few well-established authors who have become editor-proof (I’m sure any well-read person can name a few) and their works rapidly become unreadable.  Forgetting that you need an editor is disastrous in the long term. 
And grow a thick skin.  You’ll need it.