When Beverly Stowe McClure was in eighth grade, her
teacher sent her poem “Stars” to the National High School Poetry Association,
and she was soon a published writer in Young America Sings, an anthology
of Texas high school poetry. Today, Beverly is a cum laude graduate of
Midwestern State University with a BSEd degree. For twenty-two years, she
taught children to read and write. They taught her patience. She is
affectionately known as the “Bug Lady” because she rescues butterflies, moths,
walking sticks, and praying mantis from her cats.
Most of the time, you’ll find Beverly in front of her
computer, writing the stories little voices in her head tell her. When she’s
not writing, she takes long walks and snaps photos of clouds, wild flowers,
birds and deer. She also enjoys visiting with her family and teaching a women’s
Sunday school class at her church. Her articles have been published in leading
children’s magazines. Two of her stories are in CHICKEN SOUP FOR THE SOUL
ANTHOLOGIES, and she has nine novels published, two of them award winning
novels at Children’s Literary Classics and other competitions.
Connect with Beverly on the Net:
Thank you for your
time in answering our questions about getting published. Let’s begin by
having you explain to us why you decided to become an author and pen this book?
Beverly: Unlike most
authors, I never planned or wanted to be an author. I wasn't even crazy about
reading. Life is strange though and we often surprise ourselves by the paths we
follow. I taught in elementary school for twenty-two years. Reading Newbery
winning books with my students made me realize what I had been missing: Reading
was fun. Then I started wondering what it would be like to write one of those
great books, the satisfaction the author must have when she saw children
reading her stories and possibly learning something from them. I decided to
give writing a try and see what it was like. I started with articles for
children's magazines, mostly about things we did in the classroom: science
experiments and art projects. From there I switched to writing novels. I'm so
happy I did.
Is this your first
book?
Beverly: No, this is
my ninth book.
With this particular
book, how did you publish – traditional, small press, Indie, etc. – and why did
you choose this method?
Beverly: MuseItUp
Publishing is a small press, fairly new. I chose this publisher because they
publish the ebook within a year and print books follow the next year or
thereabouts. They also do lovely work. My other novels are also with small
presses, and I've been pleased with each of them.
Can you tell us a
little about your publishing journey?
The pros and cons?
Beverly: When I
first decided to write, I had no idea where to start, so I signed up for a mail
course in writing. The instructor taught me the basics and I was successful in
having some magazine articles published in leading children's magazines, as I
mentioned above. I then took another course on writing novels and thought, Oh
boy, this will be easy. When I finished my first novel, I sent the manuscript
to a couple of New York publishers, positive they'd want my story. I learned
pretty quickly it wasn't that easy. They weren't too impressed. After a while I
put that story away in a box. It's still there. I didn't give up, however, and
wrote a second YA novel. I sent it to a few traditional publishers with no
luck. Then I saw a small publisher mentioned on a message board and decided to
try them. They accepted the story and published it as an ebook. They also went
out of business the next year. I found another small publisher for the book:
eBook and print. It’s been out since 2006. For my next novel, I submitted the
manuscript to several agents. Some had helpful remarks, but they didn't offer
representation. The rest of my books, from picture books to young adult, are
with small presses.
The smaller
publishers, to me, are more like a family. There is a lot of support from the
other authors at a house, as well as the publishers, illustrators, and editors.
I suppose the major
cons are the difficulty of getting books in physical bookstores and reviewed by
the major magazines, like School Library Journal and Publisher's Weekly.
What lessons do you
feel you learned about your particular publishing journey and about the
publishing industry as a whole?
Beverly: It was easy
for me to get discouraged. I taped many of the letters that had encouraging
notes on them from agents and editors to the wall in my writing room to remind
me they found something positive about the story. It just wasn’t for them. I
stayed the course and never gave up. The writing world is tough, but I was
determined to find the publisher(s) that liked my work. My critique groups (I'm
in two) help so much in finding scenes that don't make sense or that repeat
something I've already written. The Internet has made submitting easier today,
since most publishers accept and even prefer emailed submissions. Also, writers
have more options today in publishing their work. Many are self-publishing and
doing quite well, from what I hear.
Would you recommend
this method of publishing to other authors?
Beverly: Small
presses work for me. I can't say for others, because everyone is different. It
doesn't hurt to try. You may be pleasantly surprised.
What’s the best
advice you can give to aspiring authors?
Beverly: Believe in
yourself and write, write, write. Also, read a lot.
Small publishers are like family - I've enjoyed the experience with mine.
ReplyDeleteI never had aspirations to be an author, either. Still not sure how it happened...
Yes, I have found that small or new presses, like hybrids might be a great alternative. I was strongly considering publishing a children's story to one, but haven't, at least not yet. ;) <3
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