Name: Georges
Ugeux
Book Title: The Flying Dragon
Genre: Mystery
Novel
Publisher:
Archway Publications
Thank you for your time in
answering our questions about getting published. Let’s begin by having
you explain to us why you decided to become an author and pen this book?
I
always wanted to do it but I have such a high esteem for literature that I
thought I probably wouldn’t be able to write a novel. The evening I began
writing my novel, I had just finished my non-fiction book, International
Finance Regulation. It was a huge undertaking and a great relief.
What
inspired me to write a few pages of a novel? Let alone, a mystery novel? I think
I must have had something I wanted to communicate…and doing it under the
fiction umbrella seemed like a great way to do it. After three chapters and a
dozen pages, I printed it and read it. It didn’t sound that bad at all…and
definitely felt the need to continue.
Another
element of inspiration: my eldest daughter. She had a real gift as a writer but
passed away when she was 35. She would have been a great French author. Maybe I
wanted to carry the torch?
Is this your first book?
I
wrote my first book in London in 1981. Floating Rate Notes was written for
Euromoney Publications with a reedition in 1985. After my first publication, I began
writing essays and articles. After the financial crisis, I published my first
essay in 2009 with Odile Jacob in French: The Betrayal of Finance. It was
translated in Dutch and English.
In
addition to my books, articles and essays, I am also a regular blogger in
France (Le Monde.fr) and in the United States (Huffington Post). I am
interviewed often as an “expert” in global finance because in addition to being
knowledgeable, I have an independent view and can see the broader picture (and
sometimes the manipulation of financiers and politicians).
When I
began teaching at Columbia Law School, I published International Finance
Regulation, published by Wiley & Sons, Inc in 2014. I am currently working
on a new non-fiction book on Central Banking.
The
Flying Dragon is my first novel.
With this particular book, how
did you publish – traditional, small press, Indie, etc. – and why did you
choose this method?
For
fiction authors, it is a daunting task to publish one’s first novel. I attempted
to find a literary agent but almost all declined without reading the few pages
I sent. I think many agents are limiting themselves to established authors and
have become risk-adverse.
Without
a literary agent, it is unlikely that publishers will look at a manuscript.
They too are in the blockbusters business and seem to have little interest in new
authors.
Can you tell us a little about
your publishing journey? The pros and
cons?
I
decided to self-publish and keep the rights. I chose Archway Publishing because
they are a subsidiary of Simon and Schuster which gave me confidence in the
quality of their service. They did a fine job.
I currently
have a contract with a Chinese publisher who will be translating it in Chinese
(the plot is set in Hong Kong). Additionally, the French version will be finished
by the end of December. I plan to approach publishers in January and am
targeting Easter as a publication date in France.
What lessons do you feel you
learned about your particular publishing journey and about the publishing
industry as a whole?
The
publishing industry in the United States is undertaking a serious revision and
its future is unclear. It is shrinking and acquisitions are seriously reducing
the diversity of choices. We live in a world of diverse formats. I am using
Audible (an Amazon company) for my audiobook version of The Flying Dragon.
Publishers
have sliced their offerings. Often enough they subcontract between editorial,
publishing and marketing, and they even slice marketing. It is close to impossible
to one human contact for the entire journey. I had to learn how to manage the
various contacts and departments.
Writing
can be a very solitary exercise. I feel fortunate to have had friends around me
who were excited by the prospect of the book.
As a
small publisher, it is extremely difficult to distribute a book. It has become
very clear that distribution is direct result of great publicity, online
presence and social media. Getting one’s book on the shelves at Barnes &
Noble is nearly impossible (unless you are already an established author).
I chose
to manage social media myself and to hire a traditional media publicist,
specializing in the mystery genre. Working with a real person is extremely
important to me. The US publishing industry is completely product-driven - the
author and book are treated like products. Fortunately, my credibility in the
world of finance (the world in which the plot takes place) gave me a bit of an
edge and I was taken seriously.
With
the importance of e-books, the industry will need to transform its culture and
its practices. If they do not begin to focus more on the authors, we will all choose
to self-publish.
Would you recommend this method
of publishing to other authors?
I
would recommend it. There are very cheap ways to get published and it is not likely
that one’s first novel will be published by one of the major publishing companies.
What’s the best advice you can
give to aspiring authors?
It
took me six months to admit that I had no choice but to self-publish. It is not
as gratifying, at least initially, but in my opinion, it is a waste of time to
focus on literary agents and major publishing houses.
The
internet and social media make it both easier and cheaper to do it yourself.
Be
sure you to have plenty of help on the editorial side. Creating a well written,
succinct, and polished novel is not easy. If writing is truly a passion, just
do it. Work hard and utilize all of your existing relationships and networks.
If your manuscript is ready to go, launch it!
////////////////////////////////
Title: THE FLYING DRAGON
Genre: THRILLER/SUSPENSE
Author: Georges Ugeux
Website: http://www.georgesugeux.com
Publisher: Archway Books
Find out more on Amazon
About the Book:
Celebrated non-fiction author Georges Ugeux delivers an intense, imaginative and intriguing financial thriller in his debut novel, The Flying Dragon. Set against the backdrop of the high-energy, high-tension world of global finance, The Flying Dragon plunges readers deep into a world where power, greed, money, and passion can intersect in a most dangerous way.
The Flying Dragon introduces protagonist Victoria Leung, a beautiful, brilliant, fearless, and highly accomplished financial fraud investigator. Responsible for taking down Sun Hung Kai Properties’ Kwok Brothers, a real estate empire, Victoria not only established herself as a formidable talent, but earned the nickname “The Flying Dragon” in the process. When she leaves the fraud department of the Hong Kong Police, Victoria accepts a position as a senior detective at Pegasus, an international security firm based in London. The Pegasus job affords Victoria much-needed freedom, but that calm is shattered when Victoria receives an urgent message from her close friend Diana Yu. It seems Diana’s ex- boyfriend Henry Chang is in danger. Henry’s co-worker, Bertrand Wilmington, head of the derivative trading desk of a global bank, has fallen from a window of the twenty-second floor trading room.The Hong Kong Police Force quickly concludes that the death was a suicide, but is there more to this story than meets the eye? Henry Chang thinks so—and knows that if anyone can find answers, it’s Victoria, the Flying Dragon herself. Hong Kong and Mainland authorities are unsuccessful in cracking the case, but Victoria uses her expertise to discover key clues. And Victoria, a dogged, tough, tenacious investigator, won’t back down until she gets answers. As she races to piece together the puzzle of what really happened, Victoria is swept up in a world of danger, deception, and deadly consequences. Can she extricate herself from this perilous web of arrogance, power, money and greed? Will she expose the corruption and bring down a financial giant? Or will time run out? The clock is ticking….
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